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BROKEBACK MOUTAIN

The lonesome chill that seeps through Ang Lee's epic western, Brokeback Mountain, is as bone deep as the movie's heartbreaking story of two cowboys who fall in love almost by accident. It is embedded in the craggy landscape where their idyll begins and ends. It creeps into the farthest corners of the wide-open spaces they share with coyotes, bears and herds of sheep and rises like a stifled cry into the big, empty sky that stretches beyond the horizon.

One night, when their campfire dies, and the biting cold drives them to huddle together in a bedroll, a sudden spark between Ennis Del Mar  and Jack Twist  flares into an undying flame.

Ennis and Jack's 20-year romance begins when they are hired in the summer of 1963 by Joe Aguirre , a hard-boiled rancher, to work as sheepherders on Brokeback Mountain in the Wyoming high country. (The movie was filmed in Alberta, in the Canadian Rockies.) Subsisting mostly on canned beans and whiskey, the two cowboys develop a boozy friendship by the campfire.

So taciturn and bottled up that he swallows his syllables as he pulls words out of his mouth in gruff, reluctant grunts, Ennis tells Jack of being raised by a brother and sister after his parents died in a car crash; Jack, brought up in the rodeo, is more talkative and recalls his lifelong alienation from his father, a bull rider.

When signs of an early blizzard cut short their summer employment, Ennis and Jack go their separate ways; Ennis's farewell is a simple "See you around." Both, though, are torn up. Ennis marries his girlfriend, Alma, and they have two daughters. Jack meets and marries Lureen, a Texan rodeo queen, with whom he has a son, and joins her father's farm-equipment business.

Four years pass before Jack, who is living in Texas, sends a general-delivery postcard to Ennis, who has settled in Wyoming, saying he will be in the area and would like to visit. The instant they set eyes on each other, their suspended passion erupts into a spontaneous clinch. Alma sees it all, and her face, from that moment on, remains frozen in misery. The reunited lovers rush to a motel.

So begins a sporadic and tormented affair in which the two meet once or twice a year for fishing trips on which no fish are caught. Jack urges that they forsake their marriages and set up a ranch together. But Ennis, haunted by a childhood memory of his father taking him to see the mutilated body of a rancher, tortured and beaten to death with a tire iron for living with another man, is immobilized by fear and shame.

Both Mr. Ledger and Mr. Gyllenhaal make this anguished love story physically palpable. Mr. Ledger magically and mysteriously disappears beneath the skin of his lean, sinewy character. It is a great screen performance, as good as the best of Marlon Brando and Sean Penn. The pain and disappointment felt by Jack, who is softer, more self-aware and self-accepting, continually registers in Mr. Gyllenhaal's sad, expectant silver-dollar eyes.

The second half of the movie opens up Ms. Proulx's story to follow both men's slowly crumbling marriages. For years, Alma chokes on her pain until one day, after she and Ennis have divorced, it rises up as if she were strangling on her own bile. As Jack, desperately frustrated, has clandestine encounters with other men, Ms. Hathaway's Lureen slowly calcifies into a clenched robotic shell of her peppery younger self.

Brokeback Mountain is not quite the period piece that some would like to imagine. America's squeaky closet doors may have swung open far enough for a gay rodeo circuit to flourish. But let's not kid ourselves. In large segments of American society, especially in sports and the military, those doors remain sealed. The murder of Matthew Shepard, after all, took place in Brokeback territory. Another recent film, Jarhead (in which Mr. Gyllenhaal plays a marine), suggests how any kind of male behavior perceived as soft and feminine within certain closed male environments triggers abuse and violence and how that repression of sexual energy is directly channeled into warfare.

Yet Brokeback Mountain is ultimately not about sex (there is very little of it in the film) but about love: love stumbled into, love thwarted, love held sorrowfully in the heart.

Or, as Ms. Proulx writes, "What Jack remembered and craved in a way he could neither help nor understand was the time that distant summer on Brokeback when Ennis had come up behind him and pulled him close, the silent embrace satisfying some shared and sexless hunger."

One tender moment's reprieve from loneliness can illuminate a life.